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| Polina $1150
Charcoal and chalk , 110 x 80 cms.
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POLINA SKETCH. Hm
what can I say? This is a piece of a young woman I was with and got confused
about. Ah
it is late. Late like me for an appointment with coworkers or like my
beautiful sad girlfriend when I was 15. I
am desirous, I need something, I need something, I need something. I need
anything, some false lying distortion some beatific sense illusion of
wellness, some suffusion. “He’s
not dead.” Digression into Monty python. Wisdom abounds. The
problem lies here and also there, but I may be forced to start here since
that is where I am presently. I have looked around some and lifted the
dark heavy rocks hiding in my mind, to find true desire, to find what
it is that I want most, that I long for and have longed for all this burned
and lost time, the billions of moments gone. It seems that the freak accident of genetics, that odd irreverent irradiated cell changed and we sprung like Athena from the forehead of Zeus, replete with seething desire: or perhaps I should qualify that (though quantification remains, to this day, elusive) we landed on this planet spilling potential from our hands and from our lips, our eyes and minds a deadly machine. It is not this so much that represents the problem, the very vice that I require. It is the setting for the incipient disaster – the tragedy of all our lives. The sucking wound that every man and woman spend their lives trying to cover with action; to fill with activity, heal with love and trick with malice. It is the desire itself. The lust… far from the classical sense, the BIOLOGICAL fucking imperative, though I think that plays some distorted and inevitable role like Richard III or Sammy Davis Junior. I have always, ALWAYS desired something INTENSELY. To live like this, to exercise each moment a dulling a subversion of this ache, a change a trick, an expert calculated distraction sharpened to a point by experience until it dampens with repetition and we look, we look, we hurt for this raw open cut in our minds and we must hunt for its extremity; its expiation, its EXCISION. We turn and turn and turn again, we acquiesce like the weak animals we are, we allow passion to fall, and fall for distraction – an admission and collapse into responsibility, into society - while our lives boil away into irreconcilable time. I have omitted so far any allusion as to what it is that we desire, where our covetous green eyes might fall. Whose pockets we might pick and what it would be our furtive fingers would seek against the warm flesh of our victims. I don’t mean envy. Envy is a manufacture of an imagined satiation though full and flush with desire it may be. It may be doomed by exactly what it is – the grass greener on the other side of the fence but how much more green when it is someone else’s grass? What I WANT is central, and intrinsic. The
idea that I am suggesting is simple but its fulfillment I will pursue
for the rest of my life. But
is happiness itself the ultimate goal? Peace? Respite? I
think that what we have by this malign divine accident is a desire to
share every part of our minds with another human being. Art
is the shards of these attempts, and this is why the best of it moves
us so and makes us cry. If you keep your silence you will talk yourself right into the jump.
Actually I wrote this about an entirely different woman. Not like Poli at all. She had value.
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