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This is a major work. It is not only large but
quite dramatic and of course, bright. The surface is deeply textured -
I used plaster, sand, dirt, grass and bitumen within the acrylic, though
the figures themselves are in oils.
It works, for me, anyway, like this:
We are each of us trapped within our subjective
experience of the world. Each of us will have a unique reaction to a circumstance,
to an experience. It is the great beauty and also the great tragedy of
being human...
The separation of the figures is meant to represent
our own separation. The sticks in the ground are there becuase I thought
they would look cool but mostly as a metaphor for each individual's reaction
to the spectacle in front of them. As for that - the sunset or storm -
it is dire and dangerous but beautiful. Like life, huh?
Someone
will ask me a question and I feel like beginning
my sentence by explaining that they might not be able to hear me because
of the pane of glass between us; the separation of experience and memory
and the inadequacy of the tools that we have for communicating with each
other.
I dont get it, I never have. Most people only exist for me as a
collection of unexplained actions that happened to occur within my field
of vision. And yet I am DESPERATE to communicate. It seems like my every
action is driven by the need to explain, the need to bridge the loneliness
and by so doing stifle the despair. Is that in itself an offensive thing?
What is it about me that I need to change?
It exists everywhere in equal proportions, like a great stinking miasma,
a universal audience of apathy and miscommunication spreading out across
the planet. There is a world consciousness, or at least world hegemony,
and that is that we are universally alone.Existing through books is not
enough. I guess Ive always known that. C.S. Lewis said that we read
to know that were not alone. But it doesnt really work like
that; we read and find that we think or feel along similar lines to another
person, yes, and so we are relieved. But this is a person that we will
probably never meet, and certainly if we did we would be unlikely to be
able to communicate with them at all, let alone on the level that they
had communicated with us. Its one way. I think that thats
why I am always giving my books to other people, - it touched me, can
it touch you too? Are we alike? In this, if in nothing else?
I have this thing where I feel like my every action is unconditionally
controlled. Not in the sense that I have absolute control, more that I
MUST maintain it. It feels like my hands will fly up of their own accord,
scattering everything in their flight, or that my legs will kick out by
themselves in the middle of a conversation with someone. Or sometimes
like I must rigidly control the muscles in my face so as not to let them
slip into what it feels like they naturally desire to do. If I let my
masque slip, there will be a twitching grimace that will assert itself
in a spasm that will gain control of my face, and once this process starts,
by the simple slackening of my tight control I will unleash something
that I am unable to regain. Something horrible will get free of me and
I will be forever a gibbering mass of uncontrollable sibilance and jerking
palsy. My limbs feel as though they are over-full of blood, my body transfers
a feature of each sense to me in Technicolor extremes. I feel that I must
move quickly, else I will be trapped in my body by hysterical convulsions.
People seem to me to be moving in slow motion and talking in riddles,
though that in itself is nothing new.
No, not anything new at all.
So. I have my cigarettes with the oil paint (it always seems to be something
with cadmium in it that gets all over them, dunno why.) I have my dark,
violent music, and lots of books to read. I have my health...
Im thinking of bringing out my own aftershave, maybe eau de turps,
or cologne de cadmium, For men, when having a pencil in youre hand
isnt enough...
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