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Darkling by Paul D Robertson mixed media 78x 65cms
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| A more recent encounter with nonspecific disillusionment and depression produced this piece, though I do like it and it certainly represents a departure for me. (Re-posted with a better pic and editing 6th of 2007.) I used all sorts of stuff to paint it with, mostly oil paint, varnish, sand and the otter painting that was underneath it to start with. I plan to explore this style more thoroughly when I am well and truly rich and famous and everyone wants to give me heaps of money for everything that I do. When what happens is this: A moment, an image. A shock of realisation - if that is what it is. I lift a drink to my lips and there is a red stain on the plastic - a dark, red stain. My pupils widen in shock and I lift the container from me, spilling liquid down the front of my shirt and I think For
this moment this is not sane this is a moment of insanity this is not
real. This is so far from real that I am lost. OK one from another a step into the fucking light and find a handhold though it is sharp and rusted and tears the hand that grips it and lever and pull until once more we are convinced that this world that we see that this light that spills over these keys from this screen is the wholeness and purity of the world. The
panic is an illusion a confabulation and really is the evidence of instability
in its very focus and sharp bite. The fear itself is the only answer and
it is the depth of it the breadth of its reach in our hearts and fingers
that we must, we must control and hold. What happens to us when we snap into focus and listen to the singing blood in our ears and know that for this moment despite anything else any appetite or false glow of reason any tight wires across our hearts or brilliant lights drawn across our minds - can we see in our bloody heads and straining fists that for this time this great time this whole moment this exactitude of clocks and paucity of stuttered beats that this is insane? The thought itself tart and violent in our throats and hands. Defiled and filthy with awareness and self generation but What |
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What Because
there is no lie greater and more true than one whispered to ourselves
in the night than revealed in the pain of fear in sweat and tremor in
stretching BONE. In the deep moaning terror of silence. Of our own selves
creeping behind us in the shadows the empty stairs of our minds: this
is the horror the truth about black claws that drip and rip, of laughter
misplaced hollow shuddering and inexplicable. INSIDE US That we must fear.
I am out of my mind. I know secret things. I am more alive. |
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