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Ok,
this is the new version of Jane, Dressing - completely redone, pretty
much. It took me wayy too long to do. As i Recall, this particular pose
led to me having an artistic hissy-fit. I was doing it from a life pose,
and was having real trouble with the leg on the right - I ended up throwing
down my brushes and shouting "It is beyond my skill!" before
stomping out of the room. Jane was a quite good friend of mine and we
dated for a while. She burst into laughter and retold the story many times.
The other name I thought of for this piece was "Give us wings, wings
wings! Though we plunge into the sea." Which I believe is a Quote
from Chatterton, a 19thc poet who suicided at 18, though i am not completely
sure. I am glad i redid it, it WAS worth it, though the time... i COULD
have done a whole new piece. Ah, well. Oh well what the hell sang Mcwatt.Here's
my latest rant, bits and pieces piecemeal of my life, spawn of my brain,
children of my mind, switches in my head and wonder in my eyes....
Fuck
it’s hot.
Heat eek sweat dripping off my nose and into my eyes, should probably
get a house with air conditioning (I will just spray the conditioner I
have in my bathroom up n down and all round and see if that helps.) I
ONCE had air conditioning in my house – I wrote on the controls
in purple felt tip pen “for permed or colour treated air.”
OK well I have done all the remarkably simple tasks necessary for this
morning and for me they were mammoth undertakings requiring much sweat
and most of all, courage. Just have to ignore all the fear and go DO IT
ALL ANYWAY.
Hm… flick my eyes over my desk…
I love the names of paints. Not the ones that they come up with for you
to paint your house with. I have always thought I would be good at that
though –
For your lounge “winter ferret” and for your kitchen, “happy
exploding sunflower” and in your dining room, “fragrant maroon
mice” with a split level in “hungry hungry hippo.”
Or not.
Real paints (or rather paints named traditional limits, and not um…-
“smoke over the Coral Sea”, “sunset of heraldry,”
“the colour that women who are blind from birth see when they dream…”
see, its easy-); real paints have names like crimson alizarin, burnt umber,
spectrum yellow, French ultramarine, titanium white and cobalt blue. Somehow
more real they elicit possibility like a blank white canvas or a snow-white
untouched high cotton yield watercolour sheet. Like a beach without footprints
or a wide green field of soft grass. At the same time they threaten to
overwhelm me with their original unsullied beauty.
THE
SEEKING OF AN AUDIENCE.
Here I am, here I am I exist, time passes for me my memory swirls and
burns and I am SO DIFFERENT and so very clever and unique and special
and tortured love me love me, hold my hands in the night, and look at
me with love spread warmly across only a beautiful face and listen to
me listen to me you must LISTEN TO ME.
It has come to my attention recently, though it has (fortunately enough
perhaps, at least for my ego fragile and all consuming as it is) NOT been
pointed out to me – that all the things that I do are done to fulfil
the heavy impossibility of satiating my need for an audience. I feel compelled
to be listened to. I am looking for someone to listen to me continually
– and when either I have filled my lover’s ears with enough
lies and wild ideas and truths, or (much, much worse) they decide they
have HEARD ENOUGH…I must and will find more and others to listen
to me in a justification and an absolution.
And I have been thinking on my family…
“Dad, what does it all mean? Why are we here?”
I have never asked my father this question. I should perhaps. I have been
trying to put words into his mouth. Trying and failing to assume part
of his mind for long enough to answer my own question with his words.
“Paul – all these things that we were and are, they are fundamentally,
infinitely important!”
No. I don’t think he would say that. He is inscrutable in many,
in most ways. I have been blessed with the most compassionate family any
man could wish for, but I do not know how any of them would answer this
question.
“Paul, we live our lives and then we live no longer. We are succeeded
only by the memory of us, this USURPS us, a coup of memory. Then those
that remember us live no longer and everything that was once us is no
more.”
He would not say that, either. I don’t know. I am speaking through
the guise of my father. I am trying to find some truth with my own words
in my father’s kind mouth. He is an atheist, like me, but he believes
in some kind of order… “It doesn’t seem so bad, being
part of Darwin’s progression.” He said that to me once, though
again I cannot hear it clearly in my mind and have stamped and shaped
it blithely with my own words. Some things of him, some parts I remember…
Were I him – he was at my age a father of two and had built houses
and had traveled to many countries to help other people. Have I even come
remotely close? Is this any manner of judging our lives? I have fathered
only what are to be starkly realist – only a few cells of aborted
matter. I have saved no lives I have married no one.
My father had named some hitherto undiscovered bacillus and he built a
computer some time around 1978. By the time he was 30. I am thirty three.
He had also a master’s degree, a PhD – I have a bachelor,
yes. I do. Ah well.
I am still trying to put words into his mouth –
“We are here to create – life and beauty. We must be good
to others if for no other reason than in so doing to respect ourselves.
To think and believe – not only as we lie dying but also in the
time that stretches before then for all of us, for as many moments as
we can hold to us – that we love others. And that we love ourselves.”
Ah you see? “To create life AND beauty.” I am reassuring myself
and trying to make what I am and what I do worthwhile. I fill his mouth
in my imagination with words, though I still don’t know what he
would say. I cannot even imitate him well, and after all, I HAVE known
him all my life. He is a very beautiful soul. I want him to be with me
always, for him to last and last and last. I must, I must ask him these
questions before… before…
Fuck.
My sister, my glorious devastatingly impressive sister, said something
to me whilst I was visiting her recently that elicited feelings that were,
for me, intensely strange. She said that I should look for a woman who
could not have children, as, with my illness… she trailed off. But
what she meant was that I couldn’t or at the very least, shouldn’t,
father children. And I was hurt. I… I am trying to find within myself
why. Perhaps it was my pride, that she did not think me a man capable
of looking after or raising children. Perhaps there was some sense of
PATTERNITY stirring, somewhere in the ancient reptilian corners of my
mind.
The selfish gene. Let it contend with the selfish man. When people ask
me if I want children I answer with this (I am in these days of what I
suppose are early middle age, honest, to a point:)
“If I had a child, my life would be centred around that child. I
believe my nature would let me do nothing less. And I do not want my life
centred around a child. My life is centred around my SELF.”
Perhaps when I am very old I will look back – I will see the sons
and daughters of the people around me and I will wish harshly with tears
scalding my failing vision and my frail hands in claws – wish and
wish and wish that I had lived a different life, and that I had brought
life into this world. Or PARTICIPATED, yes. Hah. My life has not shaped
itself thus, in either case.
So. I look for an audience.
Sometime -I am forced to look into myself and look HARD to create something
new. Spontaneously. And I do. And it frightens me. I reach into my mind
and I realise that there are oceans and oceans and worlds, perhaps, which
I have not even begun to touch upon. It is terrifying. It means that I
am not doing what I could, that I am not turning my mind to the stories
– to the music and art – that I COULD BE CREATING IF I WAS
BRAVE ENOUGH.
This is tainted by the other knowledge – that what I am doing when
I DO CREATE is to look for an audience, to reach out into the dark and
find admiration and glory and love. Love, always. Whatever that might
be.
When I was in my early twenties and late teens I drank. This is common
knowledge, though I rarely talk about why.
I was a bright kid. I had learned that I was worthwhile, and that the
things I did were special and uniquely important in some way that I didn’t
understand but believed. My parents had taught me this, and I will always
be grateful.
But in my early twenties and late teens, I could or would not do the things
that were necessary to succeed. My life was not just filled with anxiety,
my life WAS continual anxiety. Every motion I made was full of the awareness
that I had not taken the steps to build and create to learn and succeed,
to be anything, to anyone; which I was always taught that I could be.
I would wake and squirm in my bed as awareness of who I was sank into
my mind, traditionally poisoned by the night before.
I despised myself as the untruth I had made of my belief in my difference,
in my potential, filled my heart. True, fierce hatred. I would stand,
shaky, my head hurting nothing like my heart, and clutching my hand to
my chest, I would open another bottle. I would grimace as I twisted the
cap and then lift it, quickly, often knocking the glass against my teeth,
in an agony of self-knowledge. It would burn in my mouth down my throat
and I would pace or twist my hands together or scratch at my face until
the ethanol soothed me, I remember… I could feel it blooming in
warm calm from my stomach, suffusing me with false comfort even as I bitterly
despised my need for it.
I don’t crave alcohol much any more. What I crave is the oblivion
that it brought. The calm. The lie that it brought even as I am terrified
of the truth that it created.
“Dad, what do you think that it all means?”
“It means nothing Paul. We are like flames burning, like leaves
falling. We are matches flaring and dying in the face of eternity. We
are God’s exhalation even as he takes another breath. We are a translation
of E=mc squared. We are a result of the second law of thermodynamics that
you are so fond of, and of the first. We are heat seeping into the universe,
we are burnt time, each act a contrivance to more efficiently disperse
energy. Energy never dies, it only changes form. But our consciousness
is not just energy, but order, and it is order that will disperse and
disintegrate when we die. We are the embodiment of the laws of change
and constancy and we are its CHILDREN. And that is all.”
Well. I place words, carefully, slowly and gently, into my father’s
mouth in my mind.
We believe in radio waves, microwaves, all the sounds that are too deep
or too high for us to hear, and yet we cannot experience these things.
Might there not be much more, infinitely more, outside our experience,
that we have not had the practical means to explore?
I believe it is reasonable to assume this is the case. But without experience,
and without the experience of others to place tools in our hands and evidence
in our minds, then this assumption is meaningless. It cannot be seen by
us to directly affect us, and therefore it cannot have meaning. Some see
faith as moving them and their lives directly, and in truth this idea
frightens me even as I envy them.
“Dad, what does this life mean? How can I make my life meaningful?”
“You must choose your actions carefully, and you must believe in
them. You must apply meaning to your life by your actions, and intrinsically,
by faith that it does matter. This means choosing to believe that you
are important, even if you can only believe you are important by believing
in the importance of others.”
He would not answer like this. This is an injection into his character
that is false and clumsy. It is the clumsiest of my attempts. Ah well.
Ah hell.
My father is a scientist, somewhere at his core. I was brought up; I was
taught, to ask questions, continually, never to stop. And I think that
this is the case, though of course, every question answered inevitably
leads back to the same fucking thing:
“Dad, what does it mean?”
“It means that when you hurled abuse at me, when you stole things
from me, when you destroyed the things that I had worked and traded my
time for, that you lessened and hurt yourself. It means that you must
create meaning – that the responsibility is yours and yours alone.
It rests on your shoulders and in your heart. It is your courage that
is needed more than anything else, and your kindness. These things will
create meaning by enacting them.”
So, Dad doesn’t say anything about craving and continually finding
an audience, it seems. I am looking for it, peering around me with furtive
glances – where can I find someone else to tell me I am cool and
important?
When I do find someone to listen, and when they compliment me, when I
receive heartfelt praise, I feel guilty. I seek it. If I receive it, I
feel guilt. What the FUCK is that all about??? How exactly does that go
with passionate frenzied (a little too frenzied, huh?) rationale that
I quest for?
And the truth. Ah. I have to find the courage. It frightens me so, to
try. This is not surprising, nor is it unusual. I have met many people
whose talents, at least at the time that I met them, exceeded my own.
But they had never in their lives sold a painting, or entered a competition.
In all probability, they never will.
“Does it matter Dad? All of my work? All of my writing and ranting?
Is it FOR anything? Am I better off screaming into the night, drunk and
wild and hurting? Is it worth me fuming and crying at the edge of each
painting? That it matters... My father, would you help me to know, or,
at least, one day, to BELIEVE IT MIGHT BE TRUE???”
“I don’t know, Paul. I don’t know. I hope that it does.”
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